Work consists of:
Metadata Creation and
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Quality Control
Digitization Services Management
Rights and Reproductions
Internal Digitization Queue
Studio Maintenance (Regular Oil Changes, light bulbs, inventory)
File Management (Retention Schedules and Digital Preservation)
Digital Collections Application Management
Product Manager
Google Analytics
Other
Newsletter Contributions
Social Media Team
User Services
Authority Heading Updates
Publications Tracking
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Using the Digital Collections
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Institute Image Request Procedures
3-D Collections Photography Manual (TBD)
File Management and Digital Preservation
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When ready to process new images (export the image files from Capture One to TIFF files), follow the instructions provided in the Digitization Manual and the following steps for file and folder naming conventions.
Navigate to M:\[Collecting Area]
Create new folder in the directory. This is the location where you will export your images.
Title the folder using the following convention:
Bib no./accession no. First Words of Title
b1033483 Essay on Combustion
Export files to the folder you just created (See SHI Imaging Staff Training Manual). File names should retain bib/accession number as the filename prefix with a three-digit sequence number as the filename suffix.
Bib no./accession no._###
b1033483_001
When exporting a large book with many associated image files, it may be beneficial to limit the export to 100-150 images per folder to ease the ingest into the digital collections.
When all files are processed and located in M:, follow the instructions for ingesting files
Once a copy of the files has been placed in ‘Ready to Ingest,’ move the original folder to the “_INGESTED” folder, located within each directory.
See retention schedule below for regular intervals of clearing the _INGESTED folders.
Upon ingesting images to the digital collections, a preservation copy of the file is automatically added to AWS Glacier remote cloud storage.
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Prior to exporting photos, it is important to quality control your images. Use Capture One image viewer to verify the following:
The image should be a faithful representation of the original
Image is not skewed or off-centered
Image has clean edges, clear contrast, and legible text
Not too light or too dark
No loss of detail in highlights or shadows
No glare visible on the cradle glass
Image is correctly oriented
If the entire book is digitized, keep book orientation for consistency
If only select plates are digitized, orient correctly for viewing properly
Images can be corrected using Capture One or Adobe Photoshop. Try to avoid over-adjusting light or color in post-processing. Accurate representation of the original colors should be achieved in initial photography.
After exporting photos, confirm filenames are correct and files are sequential:
File name contains item identification number as the filename prefix with a three-digit sequence number as the filename suffix: tif
Extend number of sequential digits accordingly if image sequence exceeds 999
It can be helpful to name the folder images are stored in with the bib number so you can easily keep track of ingests in the cloud
Rename files as needed utilizing Bridge or Bulk Rename Utility.
Bridge
Select files to be renamed and click on Tools > Batch Rename
Adjust settings to assign textual prefix and sequence number suffix by utilizing the plus and minus symbol to the right of fields under “New Filenames”
Confirm filename is accurate in preview screen before clicking on “Rename”
Bulk Rename Utility
In the program, navigate to the folder where your files are stored
Adjust settings to assign textual prefix and sequence number suffix
Confirm filename is accurate in preview column before clicking on “Rename”
Troubleshooting
Please consult the following resources for digitization troubleshooting assistance:
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Current List of Curators Updated April 2021:
Title | Curator Name | Contact Information |
Senior Technical Services Librarian | Gabriela Zoller | gzoller@sciencehistory.org |
Collections Manager and Registrar | Molly Sampson | |
Curator of Rare Books, Othmer Library of Chemical History | Jim Voelkel | |
Head of Reference and Reader Services | Ashley Augustyniak | |
Chief Curator of Archives and Manuscripts | Patrick Shea | |
Curator of Oral Histories, Center for Oral History | Dave Caruso | dcaruso@sciencehistory.org |
Modern Library
Communicate with the Head of Reference and Reader Services to assess collection priorities, monitor the digitization queue, and discuss quality control issues.
Head of Reference and Reader Services selects items for digitization and creates an entry in the Modern Library Digitization Queue for each book.
Head of Reference and Reader Services pulls items selected for digitization and places them on the hold shelf labelled “Ready for Digitization” in the technical services room.
Digital Collections Librarian collects the books from the shelf, digitizes, and returns to the technical services room on the lower shelf labelled “Digitization Complete”
Do not leave collections in the Digitization Studio
Digital Collections Librarian creates and publishes records for the queue items.
For assistance in describing bibliographic objects, view the OPAC record.
Head of Reference and Reader Services retrieves and re-shelves items.
Monthly, the Digital Collections Librarian will run a report listing the additions and changes to digital objects from the Modern Library collection. The Head of Reference and Reader Services will review the records and make additions as necessary.
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Photography for materials from the rare book department is completed by the rare book curator.
Rare Books or Modern Library curator selects item(s) for digitization.
For each item, the curator will create an entry in the Rare Book Digitization Queue.
In the Instructions and/or Additional notes fields, curator inputs any provenance or other information that DC Librarian wouldn’t be able to find from basic research.
Rare Books curator digitizes rare books as usual.
Once books are digitized, the final images are processed to a new folder in M:\Rare Books
Rare Books curator changes the queue entry status from ‘Awaiting dig on cart’ to “Post production completed’ in the Rare Books Digitization Queue.
Digital Collections Librarian monitors the queue status changes. Creates a digital record from the queue entry/ingest images using the images saved to M:\Rare Books by the curator.
For assistance in describing rare books, there is often pertinent information recorded in the item’s OPAC record or the Roy G. Neville collection catalog volumes
Museum
Communicate with the Museum Registrar to assess collection priorities, monitor the digitization queue, and discuss quality control issues.
Museum Registrar selects items for digitization, pulls items, and creates an entry for each item in the Museum Digitization Queue.
Museum Registrar places items selected for digitization on a cart in the 6th floor museum storage area, Room 632.
Digital Collections Librarian collects the books from the cart, digitizes, and returns to the 6th floor when digitization is complete.
Do not leave collections in the Digitization Studio or basement studio
Objects can be temporarily stored in the old rare book room in the basement if you leave for a lunch or bathroom break while doing studio photography.
Digital Collections Librarian creates and publish records for the queue items.
For assistance in describing museum objects, view the object record in Past Perfect.
If unable to access Past Perfect, put in a helpdesk ticket to request an account.
Museum Registrar retrieves and re-shelves items.
If a digital object description from the museum collection is edited: send any additions or changes in metadata to the registrar to add the alterations to Past Perfect.
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Communicate with the Chief Curator of Archives and Manuscripts to assess collection priorities, monitor the digitization queue, and discuss quality control issues.
Chief Curator of Archives selects items for digitization, pulls items, and creates an entry for each item in the Archives Digitization Queue.
Chief Curator of Archives places items selected for digitization on the table in the rare book room.
Digital Collections Librarian collects the items, digitizes, and returns to the rare book room.
Do not leave collections in the Digitization Studio
Digital Collections Librarian creates and publish records for the queue items.
For assistance in describing archival objects, view the object record in Past Perfect or access the finding aid through the OPAC.
Chief Curator of Archives retrieves and re-shelves items.
Oral Histories
Oral histories are created by the Center for Oral History. Upon entering an oral history number in the metadata form, the record back-end will automatically transform to accommodate additional capabilities such as audio file derivative combination, adding searchable transcript .txt files, and restricting files to various levels of privacy.
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Sharing External Links in Egnyte
Copy the image into a folder with the patron’s name to P:\Special Collections\External Access
Log into Egnyte here: https://sciencehistory.org/files
Navigate to your newly created folder.
Underneath the file path, select the Share dropdown menu, then click “Share Folder Link”.
Select Email Link and email the link to the patron or staff member requesting images.
Note the links you have shared in the past by selecting ‘My Links’ in the site’s header bar.
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When you add or edit a record, enter the:
Record title
Collecting Area
Museum, Library, Rare Books, Archives
Parent Record Title (if applicable)
Record permanent URL
Action
Four options: Parent – Edit, Parent – New, Child – Edit, Child – New, Discrete Work – Edit, Discrete Work – New
Record Status
Published, Unpublished, or In Progress
Notes
Date
At the end of the month, tally the total records created and into the form on the Monthly Tally sheet. Use this data to complete the monthly modern library report.
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APPENDIX A: Referenced Documents and P:\ Locations
DIGITAL COLLECTIONS | |
Metadata Guidelines Metadata Guidelines_rev20200226.pdf | P:\Othmer Library\Digital Collections - Internal Access\Documentation and Workflows |
Provenance Style Guide Provenance_Style_Guide.docx | P:\Eddleman Institute\Museum\Collections\Art Collections\Provenance |
Digital Collections Policy Institute Digital Collections Policy revised.docx | P:\Othmer Library\Digital Collections - Internal Access\Staff Resources\Onboarding Materials |
Roy G. Neville Collection Catalog Neville Vol 1 Combined.pdf Neville Vol 2 Combined.pdf | P:\Othmer Library\Neville Collection |
Oral History Workflow Documentation Free Access_No Internet Release_current_03302021.docx Metadata_Only_current_03302021.docx Metadata_Only_No Abstract_current_03302021 Permissions_Required_current_03302021.docx Restricted_current_04162021.docx | P:\Othmer Library\Digital Collections - Internal Access\Oral History\Workflows |
DIGITIZATION | |
Digitization Manual Digitization_Manual_2021_08.docx | P:\Othmer Library\Digital Collections - Internal Access\Digitization |
Imaging Staff Training Manual SHI Imaging Staff Training Manual_6threv_CURRENT.docx | P:\Othmer Library\Digital Collections - External Access\Guidelines |
Cannon Scanning Procedures Scanning Procedures.docx | P:\Othmer Library\Archives\Photograph Collections\Policies and Procedures\Scanning |
RIGHTS AND REPRODUCTION | |
Digital Reproduction Request Procedures Institute Image Request Procedures_rev02242021 | P:\Special Collections\Rights and Reproductions\Policies and Procedures |
Canned Email Responses R&R_Canned_Language.docx | P:\Othmer Library\Digital Collections - Internal Access\RnR |
STATISTICS | |
Metadata Statistics Metadata_Statistics_2021 | P:\Othmer Library\Digital Collections - Internal Access\Analytics\Metadata Statistics |